Te Deum & Missa Assumpta est Radio France – ©Victoire Andrieux/ensemble Correspondances
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The Forty Hours in Rome

The ensemble Correspondances was in Rome on March 28 and 29 to give two concerts at the Saint-Louis-des-Français church. The concerts aimed to recreate a “Forty-Hour” ceremony, a popular devotion in 17th-century Roman churches during Lent. At the heart of these services was a “forty-hour Machine”, a spectacular instrument that flooded the ceremony with light. One of these, found and restored at the Saint-Louis-des-Français church, illuminated both Correspondances concerts.

Taking the audience on a journey to the heart of a Forty-Hour ceremony was a real challenge for Correspondances. After several years of research in Roman libraries, in search of the slightest clue regarding these offices and the music played there, Sébastien Daucé succeeded in unearthing unheard-of music by composers now forgotten: Palestrina, Cesti, Marcorelli, Petti, Beretta…

Discover the recording of the first concert !

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La Calisto at the Aix-en-Provence Festival

Correspondances will spend the summer in Provence with the opera La Calisto by Francesco Cavalli, directed by Jetske Mijnssen, from July 7 to 21 at the Théâtre de l’Archevêché of the Aix-en-Provence Festival.

Discover Sébastien Daucé’s presentation of the work

The story of the beautiful and unfortunate Calisto is one of the countless conquests made by Jupiter under borrowed guise: that of a nymph he seduces in the guise of Diana, who is changed into a bear by his jealous wife, then metamorphosed into a glorious constellation. La Calisto is the most fascinating representative of Venetian Baroque in its golden age, a subtle blend of comedy and tragedy served by an extraordinarily rich and diverse musical language.

What’s better than a stellar myth to shine in the Provençal night ? Book your tickets now!

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Fondation Correspondances

In order to serve the independence and excellence of its work, Correspondances has created the Fondation Correspondances, with the aim of restoring the musical repertoire inherited from the century of the Sun King. Designed to promote the Baroque more widely, the foundation is setting up a network of philanthropists committed to this objective.

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